Thursday, March 26, 2015

Salesman **** (1968)

Stories about salesman are like a barometer American culture. From Arthur Miller's tragic Willy Loman to David Mamet's sleazy real estate firm in Glengarry Glen Ross to Scorsese's crew of amoral stock brokers in The Wolf of Wall Street - all reveal an evolving American ethos.  Unlike the others, The Maysles Brothers documentary Salesman captured the real thing and exposed the false promise of capitalism in the process.  What better subject than using the bible as a profit making tool?  As Dylan wrote in "It's All Right Ma (I'm Only Bleeding)", "It's easy to see without looking too far/that not much is really sacred."

Cameras follow four bible salesman and record their interactions among themselves and customers. Typically they interact with housewives, but sometimes others enter the picture.  In a bizarre moment a husband starts playing loud music (Muzak versions of Beatle songs) on a gigantic stereo as the salesman performs his pitch. The camera captures every nuance as they employ every means necessary to sell their bibles.

Early on in Salesman, their boss, a humorless Southerner, delivers a soul sucking speech basically saying if you cannot make the sales you are a failure as a person. Meanwhile other salesman stand up and deliver "motivational" speeches about their prowess with sales, each trying to top the other.  That is their world.

The film pays particular attention to "Badger", an aging salesman stuck in a serious slump. As he observes his younger colleagues achieve success, he grows increasingly cynical. So he starts to use questionable methods such as putting customers on guilt trips, shaming them, even going for their sympathy.  Despite his pettiness, we oddly identify with him and hope he gets the sale.

Unlike modern documentaries, Salesman's not an op-ed piece. The camera simply reveals a slice of reality.  There's no talking heads, animated sequences, or stock footage from old movies. What you see on screen is what you get.










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